Wedding Videography Start to Finish 440 pages | Joanna Silber | ISBN-13: 978-1-4354-5448-4 | PDF | 13 Mb
Wedding production is unique in that every shot must be obtained in a single take, as in documentary filmmaking, but the client expects the finished product to look like a feature film, with perfect capture of every moment. Getting good-looking footage, while fighting problems such as loud settings, uncontrollable light and rapid scene changes, make wedding videography very challenging compared to other types of filmmaking. “Wedding Videography: Start to Finish” is the first technical guide that explains how to balance the expectations of the bridal couple with the realities of single-take shooting. These discrepancies will be explained through lessons in gear selection, shot set-up, how to work in poorly lit conditions, and how to make the best of bad angles, audio and light. The book further explains how to improve and stylize footage through editing and post production techniques. With “Wedding Videography: Start to Finish,” video amateurs and professionals new to wedding coverage alike will find a complete guide on every aspect of becoming a successful wedding videographer, from selecting production gear and software through the shooting and editing process, and even the business aspects of the wedding industry including client expectations, wedding etiquette, legal issues and product delivery.
Video Shooter: Storytelling with HD Cameras | 2009 | Braverman Barry | Focal Press | ISBN: 978-0-240-81088-1 | eBook | PDF | page: 317 | ENG | size: 41.7 MB
Tired of the dry rudimentary guidebooks that ignore the art of telling compelling video stories? Video Shooter takes you to a new level of competence and expertise by presenting the camera as a potent storytelling tool. Sure, you will learn the basics of HD formats, the fundamentals of compression and color space, but only so much as these technical areas serve your craft, which includes more fundamentally camera placement and eyeline, choice of lens focal length and the power of the triangle in creating powerful compositions. Throughout the book you will come to understand the master shooter's guiding principle, that story is the conduit through which all creative and technical decisions flow.
Michelle Perkins - 500 POSES for Photographing Brides: A Visual Sourcebook for Professional Digital Wedding Photographers | 2010 |Michelle Perkins | ISBN: 978-1584282723 | ENG | PDF | PAGE: 129 | SCAN |size: 17.2 MB[/center]
Containing numerous contemporary images by leading photographers, this indispensable manual concerning wedding portraits explains posing fundamentals as well as how to create a flattering, feature-specific photograph—one that focuses on the head, shoulders, arms, legs, or torso—in different levels of close-ups, from head-shots to full-lengths. Since posing is the second most challenging aspect of photography and with the added complications of a wedding—from the bride's personal style to her figure and gown—it can be very easy for a photographer to make a wrong turn. This perceptive reference provides the perfect place to turn when in need of quick posing strategies and fresh ideas.
500 Poses for Photographing Brides: A Visual Sourcebook for Professional Digital Wedding Photographers (500 поз для фотографирования невесты: Визуальный справочник для профессиональных свадебных фотографов) Это издание с многочисленными современными изображениями ведущих фотографов, незаменимое пособие при съемке свадьбы, в ней основы создания красивых , функционально конкретных фотографий. Как правильно выбрать ракурс фокусируясь на голову, плечи, руки, ноги или туловище с разных уровней крупных планов.Съемочная постановка является вторым наиболее сложных аспектом фотографии и дополнительно осложняется при съемке свадьбы, это зависит от личного стиля невесты, от ее фигуры и платья, что может повлиять на ошибку фотографа сделать неправильный снимок. Эта книга отличное пособие, куда можно заглянуть при необходимости, когда нуждаешься в быстрой постановки стратегий и новых идей. Книга в основном состоит из иллюстраций, так что зание английского языка необязательно.